• 5150

    5150 Pack – 36 Studio/35 Merged Profiles

    $9.99

    The 5150 came out in 1992 and it marked a departure for Eddie from the Marshalls he had used for years.  It was unlike any amp Peavey had made and had cascading gain stages that gave it more gain than any other amp on the market at the time.  Its cold biasing kept it from blowing itself up from all the power and saturation on tap.  Other high gain amps have come and gone over the years but there’s still something really cool about these original models.

    This particular specimen has seen a lot of work and probably melted a few faces in its lifetime.  It just goes to show how bulletproof this little beasts can be.  I profiled it my usual 3rd Power 212 cab as well as a matching, old 5150 412 with its original Sheffield speakers.  The two cabs give a nice bit of variety.  Not known for their clean tones, the 5150 is predominantly a rock beast.  The Crunch channel has more than enough gain for rock rhythms while the Lead channel goes more into the super-saturated metal world.  Even country(ish) guys like me can find some workable tones in it and it has a nice clarity that I’ve even used on some recordings already.

    The 5150 Pack was creating using the latest 5.x firmware.  Please forgive the playing in the audio samples as many of these weren’t exactly in my wheelhouse.  Thanks!

     

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  • D100

    D100 PACK – 29 Profiles

    $9.99

    The Diaz CD100 is one of those amps you don’t see every day.  The CD100 is a 100w beast based (a little) on the high powered tweed twins but with added reverb and some pull knob options for getting unique higher gain tones.  It stays bluesy no matter where it is (since Cesar Diaz was SRV’s guitar tech), but can cover a great range of tones from country cleans to searing lead tones.  You can see why this is one of Warren Haynes’ go-to amps.  I had a CD100 for many years on the road and eventually parted ways but I found another recently to bring those tones back to my KPA.  These profiles cover many of the amp settings along with some gain pedals in front.

    Diaz Pack requires 3.0 firmware and while most amps were profiled using my trusty 3rd Power cabinet, the new separation algorithms make it easier to get more great sounds by switching to your favorite cabs as well.  These clips were recording into ProTools 10 using a Propellerhead Balance interface with no plug-ins or processing using my red Tom Anderson Cobra with 3 P90s (pictured above).  Check out the soundclips below and as usual please excuse the sloppy playing…

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  • Heritage

    COLONIAL PACK – 35 Profiles

    $9.99

    The Heritage Amp company sprang from the Heritage Guitar Company and was based in Brentwood, TN, just around the corner from where I live.  Paul Cochrane, the designer and builder of the Tim and Timmy pedals (one of my faves if you haven’t already noticed) was the amp designer and builder at Heritage amps and came up with some incredible-sounding amps.  In an effort to put all of his favorite Marshall-type flavors into one amp, he came up with the Colonial.

    With switches for changing the preamp section, tone stack, rectifier section, and a knob to change the negative feedback, he could accurately capture the sounds of a ’59 Bassman, JTM45, Super Bass, and Plexi.  I really don’t know what took me so long to get one of these amps other than they’re not on every corner.  For the money, they are hands-down the best deal on the planet if you want amazing tone.

    I’ve never been a huge fan of a Marshall clean sound but with the US/UK switches I was able to find amazing clean sounds that bridge the gap between American and British amps.  Once you get it cranking and setting the switches to the Plexi mode it gets an amazing, creamy, bouncy, smooth overdrive.  But this thing is LOUD.  It is the loudest 50 watts I’ve ever heard and it’s nice to be able to “tame” it by getting it into my Kemper.  I included profiles using my trusty Timmy, Archer, and Red (Col. Angus) homemade od pedal as well as a few different cabs for some tonal variety.  This amp is fast becoming one of my all-time favorites.

    Colonial Pack requires 3.3 firmware and while most profiles were made using my trusty 3rd Power cabinet, the new separation algorithms make it easier to get more great sounds by switching to your favorite cabs as well.  These clips were recording into ProTools 10 using a Propellerhead Balance interface with no plug-ins or processing using my red Tom Anderson Cobra with 3 P90s.  Check out the soundclips below and as usual please excuse the sloppy playing…

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  • G Tron

    G TRON PACK – 39 Profiles

    $9.99

    Although not widely known, these amps are loved by the few that stumble upon them, including Jon Herrington, from Steely Dan’s band.  They are truly unique in that they use two complete sets of power tubes (el84 & el34) in series.  This gives the amp it’s unique tone and lots of options for tone tailoring.

    The two-channel amp has basic controls for each channel (gain, volume, and tone) and then the 100w el34 power section has an entire eq section, not just a master volume and presence knob.  I highly recommend you check them out in person if you can.  Graydon at Guytron was kind enough to get mine up and running after the 2010 Nashville flood to which it fell victim.  I think it sounds better than ever now.  I tried to get a variety of tones from shimmering cleans to over-saturated lead tones.  Check them out.

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  • D Wood

    D WOOD PACK – 32 Profiles

    $9.99

    As most of you know I play in a country band, and although I can muddle my way through a couple of different styles, playing metal is not something I’m intimately familiar with.  That’s why I did a little consulting/custom profiling with my buddy Paul.  He sent me this beautiful oversized-lunchbox beast and I have to admit I had never heard of this amp.  He sent me some suggested settings and beta-tested my results and I profiled some more.

    I profiled with a couple of different speakers and tried different mics and combinations.  I dialed in and refined the profiles using a Les Paul and a Knaggs Kenai.  The profiles  have a lot more gain and more edge than I’m used to and they aren’t something I can use on my gig, but they are kinda addicting to play.  Also included are 5 DI profiles.  Check them out.

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  • J KELLEY PACK – 39 Profiles

    $9.99

    One of the early boutique amp builders, Jim Kelley created some amazing amps used by Vince Gill, Bonnie Raitt, Lee Ritenour, and others.  There were only about 600 made so they’re still pretty rare and though they don’t fetch Dumble prices yet, they are amazing amps and built to last forever.  I profiled this tan 210 combo.

    With all the pull knobs and two channels and proprietary power attenuator, there are a lot of possible settings and I couldn’t possibly get to them all, but I tried to get some great usable tones from clean to crunch to saturated solo sounds.

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  • Tweedy

    TWEEDY PACK – 31 Profiles

    $9.99

    You just can’t beat old Fenders for some things.  The midrange growl and squishy overdrive can be heard on so many albums that it just sounds like “home sometimes.  Tweedy pack contains profiles from a ’56 Pro, ’56 Twin (serial #0019), and one of the early USA made Pro Jr. amps.  The simple circuits allow for fat, full tones without a lot of weird eq dips or tone loss from modern “features”.  I tried to capture some cleans as well as some classic tweed overdrive profiles.  I’ve already incorporated a few of these into my live show and they sound great for recording too.

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  • 65 ACE30 PACK – 34 Profiles

    $12.99

    It is a classic amp.  The diamond grill cloth, the copper metal panel, the blue alnico speakers, the unique tone stack, lack of negative feedback, Class A el84 power section… A design that has been copied and recreated a thousand times but it’s hard to beat the original.  With its quick pick attack and clarity when playing softly to its creamy, saturated power tube overdrive when cranked, it has become a staple guitar tone for a long time.

    I was lucky enough to get my hands on this beauty from 1965 and while mere profiles could never fully recreate the magic in this amp, I got 34 studio profiles of it that should please AC afficionados and help guitarists get close to capturing the original vintage tones created by the original beast.

    I was most struck and impressed by the touch sensitivity.  The clips below show how picking dynamics can really dictate how much the amp will overdrive.  It makes it feel like a living, breathing machine instead of a computer-simulated model, however strange and ironic that is.

    The 65 ACE30 Pack was creating using the latest 5.0 firmware. Most of the profiles incorporate the legacy delay but there are a couple that utilize the new expanded 5.0 delays.  Please forgive the playing in the audio samples as many of these weren’t exactly in my wheelhouse.  Thanks!

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  • 800

    800 PACK – 46 Profiles

    $12.99

    M Britt 800 Pack is for the long-haired tones of the 80’s when hair metal bands roamed the Earth.  The earlier British metal-front amps turned into master volume monsters with preamp gain for days.  These 800-series amps were some of the most recorded tones of the era and I got my hands on a few different specimens, including a 100w 2203 clone, wicker front 800, as well as an original 50w chrome faced Jubilee and his 100w reissue cousin.  If you have an appetite for some kind of audio destruction or just want to rock your blues away, this may be the pack for you.

    800 Pack requires 3.0 firmware or newer and while most amps were profiled using my trusty 3rd Power cabinet, the new separation algorithms make it easier to get more great sounds by switching to your favorite cabs as well.  The Clips below were recording using ProTools 10 with a Propellerhead Balance interface with no plug-ins or eq or processing using a Gibson ’58 Les Paul RI with vintage output humbuckers.

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  • 69 Marsh

    ’69 MARSH PACK – 36 Profiles

    $12.99

    When I think of my favorite overdrive tones, I always go to early 4-input Marshalls.  They can sound smooth or angry depending on how you play them.  I’ve gotten to play a couple of great old Plexis over the years and I own a ’72 that I’ve profiled frequently.  I got the opportunity thanks to good friends to profile this ’69 beauty.  It has been passed between friends from Nashville to L.A. and back.  It has that crispy top end that I hear on early Van Halen records.

    I wanted to capture some variety, and even though I usually use my fave 3P 212 cab, I profiled this with 4 different cabs:  3P 212 CL80, Marshall 412 w/25w Greenbacks, Marshall 412 w/30w Celestions, and my Guytron closed back 212 w/Vintage 30.  I even got a few good clean sounds on top of the great overdrive tones.  There are even a couple where I just rolled the knobs up and dialed the Variac down to brown it out a little.  Hope you like ’em.

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  • Rack

    RACK PACK – 58 Profiles

    $14.99

    The Rack Pack consists of 58 Studio Profiles of a couple of classic 80’s rack preamps, the ADA MP1 and the Mars JMP-1.  These tube-based preamps bridged the gap between classic tube amps and early digital processors.  Many classic recordings were done with these units and some artists still use these on tour.

    The JMP-1 has a classic midrange growl, living up to its gold metal faceplate.  The ADA has a creamier saturation and much more gain on tap.  A buddy turned me on to a .pdf file that has suggested settings for a wide variety of tones using the MP1, so I made good use of those settings in these profiles.  Many of the profiles are named using the initials of the guitarist the suggested settings was trying to mimic.  I think some of them got pretty close.  I also did a few of my own favorite settings as well.

    The Rack Pack was creating using the latest 4.x firmware. Please forgive the playing in the audio samples as many of these weren’t exactly in my wheelhouse.  Thanks!

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  • PROFILER PLAYER PACK 1

    $19.99

    The new Kemper Profiler Player is designed with portability and ease of use as top priorities and makes using Kemper profiles even easier than before.  There are some limitations, such as fewer fx slots and capacity, but the beauty of this little monster is that it fits on a pedalboard. So if you are a player who wants to incorporate Kemper’s amp profiling in conjunction with your existing effects, it works perfect for that.  But, for most guitarists (myself included), it has plenty of available effects to cover most basic tones required for a gig.

    The Profiler Player only holds 50 rigs (while the Kemper Stage/Rack/Head hold 1000), so my goal when trying to decide what to load into it was “what do I use in my live show now?”  So that’s where I started.  I use probably 5-10 base rigs, ultimately relying on 3-4 for the majority of the show, with the remainder covering either unique sounds or just options I can access quickly.  After those, I just started picking the rigs I’ve used the most in past shows and the ones I have recorded with over the last few years.  What I ended up with is 5 banks of 5 rigs which essentially is 25 “Greatest Hits” of my favorite amp rigs.  If you’re a longtime Kemper user with many of my packs, then these may be redundant, but are still somewhat unique in that many have been edited by me for optimization for live use.

    These rigs are tweaked so that switching between rigs from different amps is fairly seamless and uniform, without drastic eq shifts that can be a bit disconcerting.  One of the reasons for that is that I tend to profile with the same cab most of the time and even swap cabs to one of my favorite cabs to keep that overall tonality present when switching rigs.  I have included a list of my preferred organization via a screenshot from Rig Manager, but feel free to load them in whatever order works best for you (most computers will organize them alphabetically). Details about the pack can be found under the “additional information” tab below.

    **These rigs can be used in any Kemper (Stage, Head, Rack) but you may have empty fx slots and may need to create your own performances using the “map” provided in the documentation.

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  • COPPER JMI PACK

    $25.00

    M Britt Profiles – Copper JMI Pack

    This pack contains 58 unique “studio” Rigs and 4 ready-to-play Performances of a 1962 Copper Panel JMI Vox AC30 (non top-boost) amplifier.

    These profiles were made using both the stock 212 combo cab (with Celestion Blue speakers) as well as my usual 3P 212 cab with a Celestion CL80 speaker.  The stock cab has a little brighter tone with a bit less low end while the CL80 speaker has a fat, full, even tone that still lets the amp shine through it.

    Included in the 58 Profiles are 14 Liquid Profiles.  The amp is also profiled with some of my favorite gain pedals in the front to give a lot of tonal variety and options for lead tones.

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  • It’s Just Bass – Steve Cook

    $29.99

    Steve Cook is the bassist/vocalist for Phil Vassar and I’ve been lucky enough to share the stage with him the past two years as part of our Christmas Tours. We both gravitate toward all aspects of music, including gear and had talked about bass and how the Kemper can be utilized for such low purposes. We kicked it around and back and forth and finally found time to go through the process of profiling all of Steve’s great bass preamp collection and even did road testing this past tour as Steve used his profiles on the Kemper the whole Christmas tour. It was a resounding success at foh and in the studio, so we’re happy to share them with you now.

    And for those karmically inclined, there’s also the added benefit of doing good. Steve’s son Miles was born with severe hearing loss and attends the Mama Lere Hearing School at Vanderbilt Hospital in Nashville. ALL of the proceeds from this pack will go to Steve & Mama Lere Hearing School to help pay for the therapy his son and others so sorely need. READ HIS STORY HERE

    So… what’s in the pack? There are 51 unique profiles from 11 different bass preamps as well as 4 song-specific rigs Steve came up with from customer requests. I’m also including 20 bass profiles pulled from my BoC Pack so that bass players can get all of the bass profiles I have to offer in one place. Check out the sound samples from Steve’s video below and enjoy!

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  • BLACKJACK PACK

    $29.99

    M Britt Profiles – Blackjack Pack

    The Blackjack Pack contains 150 Studio Profiles of 14 great amps and 7 Plug’n’Play Performances.

    The 2021 Pack is my newest collection of Kemper Amp profiles of 14 cool amps that I’ve gotten to profile this year. These amps are an eclectic collection of vintage, boutique, modern, and rare amps. If you want British tones, you can use profiles of a ’77 Mars JMP combo, Sur LS68, or Voice AC15. For California tones, you have Masa Hartbr8ker, TweedBass 410, Masa 50 cal, or Shah amp profiles. Boutique amps such as the Swolt AF, Comet C30, VTH D50, and Match PHX, along with 80’s rock with Rokman and the rare BadBot. I try to make compilation packs that cover anything you would need so if you only buy this pack, you can cover a huge variety of tones from clean to lead sounds. Here is more info on the included Rigs:

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  • EL84 PACK

    $29.99

    The EL84 Pack is a small collection of what I consider to be some of the most iconic, most-recorded amps that utilize EL84 power tubes.  Known for their smooth and creamy saturation and their musical compression, these amps can be heard all over stages and radios worldwide.  For this pack, I feature a fine specimen of a British made AC30 6/TB as well as a couple of Match(less) amps, the iconic C30 as well as the under-the-radar 3015.  Even after having played and profiled actual vintage 60’s AC30’s, this 6/TB model is still my favorite.  It has rounder bottom than many of the 60’s and it sounds great both with my 3P cab as well as the stock Celestion Blue speakers.  The Match amps take off from the same platform but sound slightly different (refined?) and have their own recognizable tone, complete with rich harmonics, chimey top end, and mix-ready eq.  Even having profiled similar amps, these have quickly become my go-to profiles for the quintessential EL84 amp tones in my Kemper.  Enjoy!

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